I grew up with the records of my uncle’s (him performing, that is)—most memorably Scarlatti sonatas and some baroque sonatas for harpsichord and recorder. A few years ago I stumbled across a stack of copied CDs—taken from those out-of-print LPs and home-recordings—and grabbed them for memory’s sake. To my great intrigue, I found several discs devoted to works from the 20th century… which made me realize what a pity it is that I never talked about music with my uncle.
It might just be of interest to present the tracks of these recordings here, as a little personal musical (living) memorial. He was, after all, a formative person in my life, impressing on a kid of five, six, seven years the joys of collecting and tasting wine, eating and enjoying mushrooms and zucchini (garlic was the key to my palate then and it still is), and… Scarlatti.
Here’s track №.6:
Jean Françaix (1912-1997), L’insectarium pour Cembalo: Les Fourmis | Die Ameisen | Ants (2:20)
Performance by Detlef Goetz-Laurson, 1980
Score: Schott
Commercial Recording: N/A (Apart from an OOP 7-inch single by Marga Scheurich)
Premiered in 1957, by Wanda Landowska.
I grew up with the records of my uncle’s (him performing, that is)—most memorably Scarlatti sonatas and some baroque sonatas for harpsichord and recorder. A few years ago I stumbled across a stack of copied CDs—taken from those out-of-print LPs and home-recordings—and grabbed them for memory’s sake. To my great intrigue, I found several discs devoted to works from the 20th century… which made me realize what a pity it is that I never talked about music with my uncle.
It might just be of interest to present the tracks of these recordings here, as a little personal musical (living) memorial. He was, after all, a formative person in my life, impressing on a kid of five, six, seven years the joys of collecting and tasting wine, eating and enjoying mushrooms and zucchini (garlic was the key to my palate then and it still is), and… Scarlatti.
Here’s track №.5:
Jean Françaix (1912-1997), L’insectarium pour Cembalo: Le Scarabée | Der Skarabäus | The Stag Beetle (2:06)
Performance by Detlef Goetz-Laurson, 1980
Score: Schott
Commercial Recording: N/A (Apart from an OOP 7-inch single by Marga Scheurich)
Premiered in 1957, by Wanda Landowska.
I grew up with the records of my uncle’s (him performing, that is)—most memorably Scarlatti sonatas and some baroque sonatas for harpsichord and recorder. A few years ago I stumbled across a stack of copied CDs—taken from those out-of-print LPs and home-recordings—and grabbed them for memory’s sake. To my great intrigue, I found several discs devoted to works from the 20th century… which made me realize what a pity it is that I never talked about music with my uncle.
It might just be of interest to present the tracks of these recordings here, as a little personal musical (living) memorial. He was, after all, a formative person in my life, impressing on a kid of five, six, seven years the joys of collecting and tasting wine, eating and enjoying mushrooms and zucchini (garlic was the key to my palate then and it still is), and… Scarlatti.
Here’s track №.4:
Jean Françaix (1912-1997), L’insectarium pour Cembalo: Les Talitres | Die Meerflöhe | Sand Hoppers (1:05)
Performance by Detlef Goetz-Laurson, 1980
Score: Schott
Commercial Recording: N/A (Apart from an OOP 7-inch single by Marga Scheurich)
Premiered in 1957, by Wanda Landowska.
I grew up with the records of my uncle’s (him performing, that is)—most memorably Scarlatti sonatas and some baroque sonatas for harpsichord and recorder. A few years ago I stumbled across a stack of copied CDs—taken from those out-of-print LPs and home-recordings—and grabbed them for memory’s sake. To my great intrigue, I found several discs devoted to works from the 20th century… which made me realize what a pity it is that I never talked about music with my uncle.
It might just be of interest to present the tracks of these recordings here, as a little personal musical (living) memorial. He was, after all, a formative person in my life, impressing on a kid of five, six, seven years the joys of collecting and tasting wine, eating and enjoying mushrooms and zucchini (garlic was the key to my palate then and it still is), and… Scarlatti.
Here’s track №.3:
Jean Françaix (1912-1997), L’insectarium pour Cembalo: L’Argyronète | Die Wasserspinne | The Water Spider (1:09)
Performance by Detlef Goetz-Laurson, 1980
Score: Schott
Commercial Recording: N/A (Apart from an OOP 7-inch single by Marga Scheurich)
Premiered in 1957, by Wanda Landowska.
I grew up with the records of my uncle’s (him performing, that is)—most memorably Scarlatti sonatas and some baroque sonatas for harpsichord and recorder. A few years ago I stumbled across a stack of copied CDs—taken from those out-of-print LPs and home-recordings—and grabbed them for memory’s sake. To my great intrigue, I found several discs devoted to works from the 20th century… which made me realize what a pity it is that I never talked about music with my uncle.
It might just be of interest to present the tracks of these recordings here, as a little personal musical (living) memorial. He was, after all, a formative person in my life, impressing on a kid of five, six, seven years the joys of collecting and tasting wine, eating and enjoying mushrooms and zucchini (garlic was the key to my palate then and it still is), and… Scarlatti.
Here’s track №.2:
Jean Françaix (1912-1997), L’insectarium pour Cembalo: La Coccinelle | Der Marienkäfer | The Ladybird (1:45)
Performance by Detlef Goetz-Laurson, 1980
Score: Schott
Commercial Recording: N/A (Apart from an OOP 7-inch single by Marga Scheurich)
Premiered in 1957, by Wanda Landowska.
I grew up with the records of my uncle’s (him performing, that is)—most memorably Scarlatti sonatas and some baroque sonatas for harpsichord and recorder. A few years ago I stumbled across a stack of copied CDs—taken from those out-of-print LPs and home-recordings—and grabbed them for memory’s sake. To my great intrigue, I found several discs devoted to works from the 20th century… which made me realize what a pity it is that I never talked about music with my uncle.
It might just be of interest to present the tracks of these recordings here, as a little personal musical (living) memorial. He was, after all, a formative person in my life, impressing on a kid of five, six, seven years the joys of collecting and tasting wine, eating and enjoying mushrooms and zucchini (garlic was the key to my palate then and it still is), and… Scarlatti.
Here’s track №.1:
Jean Françaix (1912-1997), L’insectarium pour Cembalo: La Scolopendre | Der Tausendfüßler | The Scolopendra (1:48)
Performance by Detlef Goetz-Laurson, 1980
Score: Schott
Commercial Recording: N/A (Apart from an OOP 7-inch single by Marga Scheurich)
Premiered in 1957, by Wanda Landowska.
