Notes from the 2024 Salzburg Festival ( 4 ) Ouverture Spirituelle • Lobgesang • Vienna Philharmonic

Lobgesang • Mendelssohn • Vienna Philharmonic • Blomstedt

Also reviewed for Die Presse: In Salzburg feiert Herbert Blomstedt Geburtstag

ALL PICTURES (DETAILS) COURTESY SALZBURG FESTIVAL, © Marco Borrelli. CLICK FOR THE WHOLE PICTURE.

A Hymn of Praise to Old Age

On July 11th, Herbert Blomstedt turned 97 – ninety-seven (!) – years old. And when you turn 97, you get to celebrate your birthday twice, no problem! First with a Bruckner Ninth and the Bamberg Orchestra (see also “ The Subtle Miracle Herbert Blomstedt And Bamberg's Cathedral Tour Of Bruckner”) and a good fortnight later with Mendelssohn’s Second Symphony – the “Hymn of Praise” – and the Vienna Philharmonic at the Salzburg Festival.

Of course, age takes its toll, at this advanced hour of one’s life – and the stiffly moving but self-propelled Blomsted looks a bit like a marionette. His physical conducting is reduced in expressiveness and breadth of motion. But the key to an inspired performance is not forcing one’s will onto 190 musicians (counting the 111 singers of the Vienna Singverein), but to make them want to dance attendance on his every musical wish. And this, Blomstedt manages with ease, thanks to his charisma, earnestness, reputation, quiet enthusiasm, and devout charm, and that’s why his concerts are still such musically miraculous moments.

The Compleat Mendelssohn

Brahms’ Schicksalslied (Song of Destiny), op.54, with the disciplined, restrained choir, was a masterclass in matters gentility, sensitively performed by the Philharmonic for Blomstedt. This was the overture to Mendelssohn’s Second Symphony, long considered something of a problem child among Mendelssohn’s symphonies, with three short instrumental movements that are then – supposedly – squashed by the vast Cantata that follows. It’s an unfortunate, perhaps finally waning reputation, given that the work contains everything that makes Mendelssohn. The earnest, imposing music of the oratorios. Some of the fairy-dust music he is best known for. And even some of the tragedy and dissonance we can find in the F minor String Quartet.

The quick pace of the opening was invigorating for not trying to artificially impose more weight on the movement in search of some elusive balance but simply content in praising God – a concrete matter for Blomstedt and not just some abstract concept. The calm pianissimos that Blomstedt got from the orchestra (“Nun danket alle Gott”) were particularly touching.

The quick pace of the opening was invigorating for not trying to artificially impose more weight on the movement in search of some elusive balance but simply content in praising God – a concrete matter for Blomstedt and not just some abstract concept. The calm pianissimos that Blomstedt got from the orchestra (“Nun danket alle Gott”) were particularly touching.

F. Mendelssohn-B The Symphonies C.v.Dohnányi, Vienna Philharmonic Decca, 2010

Save Thyself!

Not everything went as smoothly. Towards the end, the performance lacked the crucial impulse, that would have imbued this “Hymn of Praise” with the needed pulse. Nor were the ‘almost-dissonant’, which can add a welcome bitter-sweet fragrance, particularly tended to. When the chorus nearly threw a fugato passage (“Die Nacht ist vergangen”), there was no help to be gotten from Blomstedt. The Singverein managed to rescue itself splendidly.

The soloists were right in line with the high quality and character of the performance – namely the level-headed, narrative, perfectly singing of tenor Tilman Lichidi (despite a weaker, flat moment later in the duet) and the effective, nicely enunciating Christina Landshamer, with a tastefully increasing but never overly dramatic vibrato on the held notes – and contributed to this wholly untroubled, Lord-praising eleven-AM performance. Grateful ovations when Blomstedt was led off and back on the stage, by concertmaster Rainer Honeck.

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Photo descriptions:

Picture No.1: Wiener Philharmoniker · Blomstedt 2024: Herbert Blomstedt (Dirigent), Wiener Philharmoniker

Picture No.2: Wiener Philharmoniker · Blomstedt 2024: Elsa Benoit (Sopran II), Christina Landshamer (Sopran I), Herbert Blomstedt (Dirigent), Tilman Lichdi (Tenor), Wiener Philharmoniker, Wiener Singverein