Spoiled by a masterful, cinematic production by Andreas Kriegenburg for the Munich State Opera, I was trying not to expect all that much – and certainly not something to supplant my experiences with Kriegenburg’s Wozzeck. And yet, the deceivingly simple production of the director (and Intendant of the Zurich Opera) Andreas Homoki did just that. Anchored by the set and costumes of Michael Levine (with further costume-help from Meta Bronski), it looked at first like a simple frame – yellow paint on black wood; the setup for a grim and grimy Punch & Judy show. As more and more frames opened behind the first one, revealing up to six layers, it became clear that it was a little cleverer than that, and wickedly effective to boot...
Full review on Forbes.com. Click on excerpted images below to find a higher resolution version of the full picture.
All images courtesy Zurich Opera, © Monika Rittershaus
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