On ClassicsToday: Gimmick Instrument, Splendid Performances: "Mozart’s Violin"
Gimmick Instrument, Splendid Performances: Mozart’s Violin Concertos
Review by: Jens F. Laurson
Artistic Quality: ?
Sound Quality: ?
A new recording of Mozart‘s violin concertos should bring something special to the table. Musically, that goes without saying, but that’s not what the marketing department employees at record labels are paid to ensure. The thing better have a hook–or “USP”, to use their jargon. Here, that unique selling point–doubly necessary, since no one outside of Vienna has ever heard of the violinist (Christoph Koncz is one of the concertmasters of the Vienna Philharmonic and therefore Viennese royalty)–is the instrument. Mozart’s own instrument, to be sure. Dusted and despeckled from its museum slumber and with the life fiddled back into it, it is the nominal star of this production. You might be right to think that this bodes badly for the venture, because–PR blather aside–it matters exactly squat in the making of a recording of violin concertos by Mozart–or anyone else–even if it featured the most beautiful-sounding Guarneri ever made... [continue reading]
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