...Zimerman’s fingerprints and smudges move me here, rather than leaving me exasperated (legitimate response though that certainly is). The opening is hesitant, sophisticated and profound, and yet gentle and artless like a lullaby. There is space between the notes with Zimerman, room for interpretation and imagination. The Andante is luminously devout. The last movement (Allegro ma non troppo) comes in like a hammer hitting down – from which emanates a mechanical dance: Krystian Zimerman makes me aware of negative space here, without underplaying the Schubertian lilt with overly ominous menace…
-> Classical CD Of The Week: Krystian Zimerman's New Schubert
Franz Schubert, Piano Sonatas D.959 & D.960, Krystian Zimerman (Deutsche Grammophon) |
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