Palestrina, Masses and Motets, Choir of King's College, Cambridge, P. Ledger, D. Willcocks EMI Classics 50999 2 17655 2 0 ☆☆ |
Digital remastering cannot hide the more drab and moldy aspects of these performances, the over-dominant, occasionally shrill boy treble sound, miked so closely, and the sometimes embarrassing warble of overexcited adult male voices. The predominant musical quality is one of almost mannered calm, the result of an overly "Cecilian" reverence for the purity of the Palestrina choral aesthetic. Tempi tend toward the gently arching, with the exception of some soupy rallentandi at conclusions. The chant incipits are among the dullest performances of chant ever to reach my ears, sung like ill-understood archeological specimens rather than as living music of any interest. One could nitpick more, but when all is said and done, it gave me considerable pleasure to hear these performances again, as a relic of their time.
Incredibly, the Ave Maria and Hodie Christus Masses have not been widely recorded at all, but that is true of almost all of the over 100 (!) settings of the Ordinary that Palestrina composed. For musical quality alone, you are much better off with the more recent and superior recordings from the illustrious program of Westminster Cathedral -- Missa Ave Maria under James O'Donnell and Missa Hodie Christus natus est under Martin Baker -- both available as rather expensive imports from Hyperion. (The latter is a collection of works for Advent and Christmas and, although pricey, would make an excellent Christmas gift for the musically savvy friend on your list.) Still, at $13 for over two hours of Palestrina goodness, this 2-CD set recommends itself.
150'36"
The Hodie Christus natus est Mass is the ordinary used in the McCreesh/Gabrieli Consort & Players program "Christmas in Rome" (On CD and DVD). I like the performance, and the whole program, a lot, but it's very different from what you'd get from most choirs: lower pitch, all adult men with countertenors on the top line, organ continuo (McCreesh set a notional performance date of around 1600). And the tempos are fast; they really gallop through the music.
ReplyDeleteOoh--that's good to know. I must try to hear that. I suspect that I would like that even more. Thanks for the tip.
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