Love was the theme, in either case, and there was plenty love in the Berliner’s playing: Absolute evenness in the continuous build-up of the Tristan Prelude was achieved with tension and volume being increased at such a minimal gradient and with such consistency that it wasn’t noticeable — only felt. This was perfection in conceptualization and execution, scarcely doable with but a handful of orchestras.
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Salzburg Concluded: Rattle’s Messiaen Tribute with the Berlin Philharmonic
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