Bach Family et al., Lamento, MAK, R.Goebel, M.Kožená Archiv |
Between “Ach, dass ich Wasser’s g’nug hätte” by the former and “Die Amerikanerin” by the latter, you’ll hear Francesco Bartolomeo Conti’s “Languet anima mea,” a cantata for soprano, two oboes, strings, and basso continuo; J. S. Bach’s contralto cantata “Vergnügte Ruh, beliebte Seelenlust,” BWV 170; his contralto aria “Bekennen will ich seinen Namen,” BWV 200; and C. P. E. Bach’s soprano cantata Selma. The works are arranged chronologically (or at least in chronological order of the composers), and you can hear the development from the first Bach’s early Baroque style to the last Bach’s hints of the galant style. All works are charming, none are overwhelming, and the execution is up to the expected high standards. For followers of MAK or Kožená’s, it will be of special interest.
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Archiv B0004689-02
This is a wonderful album, one of my big favourites in 2005; but when I first heard it, I was taken aback by the choice of tempo in BMV 170. It's, 'ow shalll we say, very jaunty. It's the "Verrückte Ruh!" I heard many other versions of this cantata, but this one is little crazy. Still like it though,
ReplyDeletemonika
That's really, really funny Monika! ("Verruckte Ruh"). That description really gives those of us who've not heard it yet a sense of the tempo.
ReplyDeleteI myself tend to like Baroque on the brisker side. So thanks for the recommendation!