Friday's post on Modern Art Notes was a hilarious account of a lecture at the Hirshhorn by Fred Tomaselli. Known for his use of pharmaceuticals as an artistic medium, Tomaselli also apparently samples his materials to get those wild and colorful patterns. Psychedelic. Wish I had been there.
As I read about this, I was reminded of some of Damien Hirst's drug cabinet installations from the drug-crazed 80s and 90s, like God (1989), Nothing Is a Problem for Me (1992), and We're Afraid of Nothing (1992). Ah, those were the days, although Hirst has still been working with this medium (see The Void, from 2000). Now I am also reminded of a drug sequence in the 1993 film Thirty-Two Short Films about Glenn Gould, showing pictures of the many drugs the hypochondriac pianist used regularly to quell his anxieties, complete with voiceover of their possible side effects and interactions.
Oh, yeah: Tyler also made what I think was the very first link to this little blog. It's scary how fast that was. I like reading Tyler's blog and his work for Artnet and others, so lots of thanks to him.
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