R.Schumann, Introd.& Allegro, Ghost Variations et al.,
T.Barto / C.Eschenbach / NDRSO
I rarely cry listening to a CD. I did here, gladly, and without guilt for any of those tears. The Ghost Variations were written in the last, torn hours of Schumann’s presence on the here-side of sanity, created under heart-wrenching circumstances in his final lucid, intermittently hallucinatory moments. The Variations work perfectly as a slow movement and join the two Konzertstücke on either side to form a complete piano concerto. Barto plays them with muscular romanticism of someone who can relate to the light and dark of late Schumann and indulge in it.
Bringing the disc to over 73 minutes playtime is another painfully gorgeous Schumann rarity, the Six Etudes in Canonic Form, op.56. If you haven’t heard- or heard of them, it’s probably because they were written for the pedal piano that was only very briefly en vogue. With the demise of that contraption (originally intended to ease practicing organ-playing at home by attaching pedals to an extant grand piano), those works written specifically for it sank into obscurity. Debussy caught a glimpse of these Etudes, though, and duly mesmerized (I imagine) transcribed them for two pianos. Eschenbach and Barto sit down to play them… and what a substantial little wonder they are to behold: The stringency of Bach infused with all the romantic essence of Echt-Schumann continues to leave me speechless every time I hear them. The whole album is clear contender for the “Best of 2010” list.