3.2.24

Critic’s Notebook: Bruckner 4th on the Organ. A Mistake.

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Also reviewed for DiePresse: Ein Warnschuss des Brucknerwahnsinns Bruckner symphonies on the organ. Obvious pursuit or dubious ple...
2.2.24

Dip Your Ears: No. 271 (Gounod, the Pianist)

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Charles Gounod Piano Works Roberto Prosseda Decca, 2018 Something Different from Mr. Gounod We know Charles Gounod as the...
30.1.24

Critic’s Notebook: Collegium 1704 Resuscitates Heinichen; a Crowning Achievement

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Also reviewed for DiePresse: Resonanzen-Finale im Konzerthaus: Neptun macht die Ex-Geliebte zum Mann The finale of Resonanzen , th...
25.1.24

Critic’s Notebook: Mars – Bringer of Early Italian Baroque

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Also reviewed for DiePresse: Konzerthaus: Punktgenaue Marslandung A rocking dose of early Italian Baroque from Concerto Sciroc...

Critic’s Notebook: More English than Toast with Marmite and Cheddar, Fair Oriana

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Also reviewed for DiePresse: Resonanzen-Festival: Very charming, indeed A delightfully frothy mix of British, all-too British ...
23.1.24

Critic’s Notebook: Christophe Rousset & Atys opens Resonanzen Festival in Vienna

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Also reviewed for DiePresse: Bei den „Resonanzen“ geht abends die Sonne auf A large dose of deligthfully elegant French baqroque f...
17.1.24

Briefly Noted: Anderszewski's Central European Survey (CD of the Month)

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Janáček, On an Overgrown Path (Book 2) / Szymanowski, Mazurkas (selected) / Bartók, Bagatelles (complete), Piotr Anderszewski ( releas...
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16.1.24

Critic’s Notebook: Alexandre Tharaud's Debut in Vienna

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Also reviewed for DiePresse: Ein Oktopus hätte das nicht besser spielen können A naughty-but-fitting local bon-mot in Austria'...
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