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Although Master Ionarts is an old hand at opera -- Saturday's performance of Hansel and Gretel will be his seventh opera -- this was the first time in a theater for his little sister, Miss Ionarts. Judging by her reaction and her disappointment that she is not coming along for the real thing, it is time to start taking her to more of these events. (As for this opera, the witch would probably be too scary for her and she does not usually stay up that late.) Before we left, we sat in one of the balconies to watch the crew set lights and prepare the sets. The candy cane cage, where the witch will imprison Hansel, was a big hit. The choice of venue for what the WNO is calling a new holiday tradition is significant. The theater and its dance hall in the U Street corridor have contained the sounds of Duke Ellington, Pearl Bailey, Louis Armstrong, Cab Calloway, Ella Fitzgerald, Billie Holiday, and Sarah Vaughn. Was the choice in part an attempt to reach across the racial divide of opera's traditional audience? Yes or no, it was very good to see a mix of young faces reflecting the city's population, all of them excited about opera.
There will be four performances of Hansel and Gretel next weekend: December 7 (7:30 pm), December 8 (2 and 7 pm), and December 9 (2 pm). It will be sung in English, with supertitles of the text for clarity, and the cast is composed of members of the Domingo-Cafritz Young Artist Program. Tickets range from $10 to $50.
It's obvious that you really struggled when it came to naming the little tykes, are there any pet ions?
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