Last night, to begin the celebration in front of the train station, the Orchestre National de Lille was joined by a thousand other professional and amateur musicians in a concert featuring a performance of Le Chant des Chemins de Fer (The Song of the Railways) by Hector Berlioz. This piece was commissioned in 1846 to commemmorate the linking of Paris and Lille by rail. (You can listen to an unrelated performance of it here and look at the score here.) From the few seconds I heard of the rehearsal on the news, there is not much more I can say about it.
To put this in perspective, the budget of 74 million euros (about $90 million) to make Lille into a fabulous cultural madhouse is about the same amount as the increase alone over last year (up to $320 million from about $230 million last year) on what the United States government will spend next year on manufacturing new plutonium cores, or "pits," for our burgeoning arsenal of nuclear weapons (see James Sterngold, A new era of nuclear weapons: Bush's buildup begins with little debate in Congress in the San Francisco Chronicle, December 7). As Rep. David Hobson (R-Ohio) put it, "We have more nuclear weapons now than we know what to do with.'' When even Republican representatives are saying that, it's clearly time to carve up some of that DoD budget to transform a few cities in North America into fabulous cultural madhouses.
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