From my piece published today at DCist (with a few photographs below that did not get used):
Revisiting the Department of the Interior (DCist, March 19)
It is likely that most people, including Washingtonians, think about the Department of the Interior rarely, if ever. In fact, the most common response to the sex and drugs scandal that rocked DOI's Minerals Management Service last fall was probably surprise that something interesting could actually happen in the Interior Department. While those nefarious activities were happening mostly in the Denver headquarters, DOI's main location here in Washington is in an enormous building at 18th and C Streets NW that is well worth a visit. It was the first fruit of Franklin Delano Roosevelt's attempt to revive the failing American economy through massive federal spending on infrastructure. If this sounds familiar, and not in a good way, consider just this part of FDR's New Deal.
Under the stewardship of Interior Secretary Harold Ickes, leading architect Waddy Butler Wood designed and built, in just 18 months, a state-of-the-art federal office building, with over 2,000 offices, all with some natural light and the latest modern conveniences. Among the most important and lasting benefits of the New Deal's Works Progress Administration were federal projects for those in artistic fields like writers, actors, theater directors, painters, and photographers. For his part, Ickes hired Ansel Adams to make now iconic photographs for the National Park Service, and he commissioned an extensive set of murals to be painted throughout the DOI building, reflecting the missions of the department's various bureaus.
Allan Houser, Breaking Camp during Wartime, 1938, Department of the Interior, Indian Craft Shop
Allan Houser, Sacred Fire Dances, 1940, Department of the Interior, South Penthouse
William Gropper, Construction of a Dam (detail of left panel, with graffito), 1939, Department of the Interior
Gifford Beal, National Park Service: North Country, 1941, Department of the Interior
All photographs (by me) are shown courtesy of the U.S. General Services Administration, Fine Arts Program
Archive: Maurice Blanchot
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