tag:blogger.com,1999:blog-5607352.post4607025853933663238..comments2024-03-25T16:51:04.370-05:00Comments on <a href="http://ionarts.blogspot.com/">Ionarts</a>: Musicians from MarlboroCharles T. Downeyhttp://www.blogger.com/profile/14978821617871429169noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5607352.post-36882215758448223632010-10-27T20:47:53.097-05:002010-10-27T20:47:53.097-05:00Thanks for the link, Garth, which I have linked to...Thanks for the link, Garth, which I have linked to in the review. Did you go to the concert? I was sitting at the back so I may have missed you.<br /><br />The obvious comparison, it seemed to me while listening to the piece, is to Schoenberg's <i>Survivor from Warsaw</i>, although Heller's approach is more reflective than brutal and direct, and that is mirrored in Cuckson's score.Charles T. Downeyhttps://www.blogger.com/profile/14978821617871429169noreply@blogger.comtag:blogger.com,1999:blog-5607352.post-42403436570053063352010-10-27T14:14:26.692-05:002010-10-27T14:14:26.692-05:00Thanks, as always, for your excellent review.
Bel...Thanks, as always, for your excellent review.<br /><br />Below is a link to the bilingual Yiddish-English text to Robert Cuckson's "Der Gayst funem Shturem" (The Spirit of the Storm).<br />You may wish to embed it above.<br /><br />Dr. Cuckson also wrote, in 1994, a "Cantata on Akkadian Wisdom Texts" for four vocal soloists, chorus, and chamber ensemble, which I have not Garth Trinklhttps://www.blogger.com/profile/11084463787729969177noreply@blogger.com