tag:blogger.com,1999:blog-5607352.post5800177806007137916..comments2024-03-25T16:51:04.370-05:00Comments on <a href="http://ionarts.blogspot.com/">Ionarts</a>: Beckett and Koston CelebratedCharles T. Downeyhttp://www.blogger.com/profile/14978821617871429169noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5607352.post-69071987653955835802012-03-09T08:54:20.685-05:002012-03-09T08:54:20.685-05:00Thanks for that. Yes, I should have said "ele...Thanks for that. Yes, I should have said "electroacoustic work" for Davidovsky. Your comment about the Crumb work that lost out that year is interesting -- something about Davidovsky's treatment of the voice in "Ladino Songs" reminded me of "Ancient Voices of Children," which is indeed one great piece of music.Charles T. Downeyhttps://www.blogger.com/profile/14978821617871429169noreply@blogger.comtag:blogger.com,1999:blog-5607352.post-51528672374654169302012-03-08T17:03:59.767-05:002012-03-08T17:03:59.767-05:00Thank you.
Actually, the Mario Davidovsky 1971Pul...Thank you.<br /><br />Actually, the Mario Davidovsky 1971Pulitzer Prize-winning work was for piano (your instrument) and electronics -- "Synchronisms No. 6".<br /><br />It was the previous year, 1970, that Charles Wuorinen won the Pulitzer Prize for his purely electronic work, "Time's Encomium", released on Nonesuch Records. Both were premiered at the Berkshire Music Anonymousnoreply@blogger.com