The Bavarian State Opera’s David Alden production of La Calisto constitutes the three shortest hours I’ve enjoyed anywhere in an opera house. The wild story about Jupiter's lust for the nymph Calisto, who is eventually turned into a bear by his jealous wife, Juno (and then into the big dipper) is such a romp and such pure entertainment, it’s like going to the movies. All the signature items of an Alden production are there: loud colors, creative costumes, polished floors, zebra-striped walls and curved laminated wood paneling—courtesy Paul Steinberg’s set and Buki Shiff's wildly diverse costumes, which range from a Tin Woodman-business suit for Mercury to a beautifully realistic Chameleon-butler to a salaciously detailed faun costume for Satirino, a creature half goat, half counter tenor Domique Visse (who has played the part in every of the now four runs of La Calisto).
Only the plastic machine gun of Giove’s was new to this revival, and pathetic, as every
Full review at AUDITORIUM.