Up to this point there were three ways to film opera: capture a performance live, make a filmed opera in the studio, or make a documentary. Philippe Béziat has invented something else. Traviata et nous is not his first attempt at this. In Pelléas et Mélisande, Le chant des aveugles and in Noces, he had opened the way: neither a simple filming or a documentary, but a true film, with a screenplay and direction, an entirely new work. [...]Embedded above is a taste of Béziat's Pelléas film. Trailer for Traviata et nous here.
Béziat shows us the miracle of the metamorphosis: how, thanks to hard work, the woman Natalie Dessay, perfectly normal, becomes another woman. No need for fiction here, reality speaks. "Even if you do not have the keys, you feel the risks," the director explains. "A person like you and me undergoes a transformation that is beyond her, the camera sees it." A passionate opera lover, Béziat pledges equal love for film and music, two arts immutably linked for him, perhaps because they are both a way of organizing time. It is not by chance that his production company is called Les Films Pelléas.
The Universal Gap.
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